Why, exactly, in the 1990s did André Previn vow never to step foot in Los Angeles again?
, announced that a young Finnish conductor named Esa-Pekka Salonen would become the orchestra’s principal guest conductor.
Previn couldn’t forgive Fleischmann for what he viewed as an overstepping of bounds, and the already sour relationship between the two men began to curdle. The Times’ music critic at the time, Martin Bernheimer, laid out his central hypothesis behind Previn’s resignation in an April 26, 1989, piece which had the headline: “Unlike two former L.A. Phil music directors, Zubin Mehta and Carlo Maria Giulini, Previn was extremely hands-on in the day-to-day running the orchestra, Bernheimer wrote.
“Kurt Sanderling, a beloved old-school guest, attracted full houses and won standing ovations for his interpretations of the Germanic romantics. Young Esa-Pekka Salonen stirred the masses in more gregarious challenges. Meanwhile, Previn was in danger of becoming good old reliable Andre. That clash spilled into public view with Previn’s curt letter of resignation from his $500,000-a-year-plus position, which stated: “I have decided that, in the current structure of the Los Angeles Philharmonic, it has become obvious to me there is no room for a music director.”THE LAST INTERVIEW: Previn's last major interview with The Times »
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